Biofeedback symphony – Solar Return

Jenny Pickett, Julien Ottavi

Using bio-electrode module synth inputs and DIY electronic bio-sensors we will interpret the soil, weeds, moss and fungus of Bergen. The sounds produced will be decomposed by an artificial intelligence for a quadraphonic audio experience. 

Stereo visuals, and upclose will catch aspects of live, electronics and organic matter. 

Since 2015 Solar Return have been working on the use of organic organisms such as plants and fungi in the processes of recycling e-waste, new DIY circuit development and how these systems create feedback audio transmission using moisture and decomposition of the circuit boards.

This begins with a few spores settling down on a nutritious surface. When these spores wake up in close proximity to one another they start germinating at approximately the same time and grow outwards as thread-like cells (hyphae) at a similar rate. The electronics feed on both the sun and wet soil, pregnant with (DIY) mycelium growth. As an information superhighway the interactions between a large, diverse population of individuals speeds up. It allows individuals who may be separated to communicate and help each other out. It also allows them to commit new forms of communication.


Solar Return

Nantes based artists Jenny Pickett and Julien Ottavi created Solar Return in 2009. Taking electromagnetic phenomena as a starting point for their audio creations. They have produced various scores for dual audio synths/oscillators/DIY electronics etc…which reflect patterns and electromagnetic events such as solar flares and inner city mobile phone masts, hidden sonic environments as well as the unfathomable audio world of kitchen appliances. Through their performances the duo tunnel deep into the world of frequency, static and sound as a physical experience, where they mix environmental recordings from the cosmos to pylons to Nuclear power plants with Live electronics and various antennas as instruments. Ottavi has been working with radio-art and open recordings since the late 1990’s, from performing with pirate radio transmitters or decentralised internet broadcasting, as well as giving workshops on the construction of electromagnetic antennas, receivers and radio-hacking. Pickett has been performing Live using huge VLF antennas as an instrument since 2013. Solar return plays with the physical space, the audience and the architecture of the venue to reveal and remix the hidden soundscapes present therein. Both defend the community of experimental music and arts, as well as FLOSS / copyleft attitudes through the project APO33, which Ottavi founded in 1997.

http://www.apo33.org

Solar Return has performed internationally at various events and festivals including Piksel Festival, Bergen (NO), Wave Farm, Hudson Valley (US), Main d’Oeuvre, Paris (FR), Transpecos, New York (US), Coaxial, L.A. (US), Harvest works, New York (US), STWST48 @ Ar Electronica in Linz (AT), Experimental Intermedia, New York (US), NeON festival, Dundee (UK), ACUD, Berlin (DE), IKLECTIK, London (UK), SONOSCOPIA Porto (PT), Kontactor in Riga (LV), CYCLE CULTURE CLUB in Crete (GR), Fylkingen (SE), OEIL DE L’ODAACQ FESTIVAL, Rennes, LUFF – Lausanne Underground Film Festival, Lausanne (CH), HTMLL’s Festival, Montreal (CA), LES ATELIERS CLAUSS, Brussels (BE), among many others…

http://solarreturn.bandcamp.com/releases

IDLE, Digital Tools for Inclusive Art Experiences

Inkluderende Digitalt Laboratorium for Eksperimentell Kunst (IDLE) is an innovative artistic and participatory project based on a digitally updated art venue space, Studio 207, in Bergen.

The venue’s audiovisual devices are controlled remotely through a virtual gallery. Artists and audiences can manipulate lights, videos, and sounds, to create different atmospheres through the Internet of Things technologies. The public designs spatial audiovisual experiences for those that are In Real Life at the venue and simultaneously in the virtual gallery!

IDLE intends to offer a creative virtual meeting point for school kids, youngsters, people with reduced mobility who wants to interact with the physical world, and all of those art curious lovers that want to look for new physical-virtual new experiences. The project explores new collaborations and forms of interaction between different art and cultural forms.

IDLE is an innovative project initiated by Piksel, in collaboration with CNDSD, Malitzin Cortés and Iván Abreu, APO33, Jenny Pickett, Julien Ottavi, and Romain Papion and Martin Koch. It is a 3 years project supported by the Municipality of Bergen and the Arts Council Norway.

PIKSELXX AI AI AI is presenting for the first time this experience to the world. To do the premiere in Bergen we have invited the artists and developers of the project CNDSD, Malitzin Cortés, Iván Abreu, APO33, Jenny Pickett, Julien Ottavi, and Romain Papion to create the first sound and visual, physical and virtual experience. Join us at Studio 207 and the @Piksel Cyber Salon on Thursday Nov 17th – 22-23h.

Tango for us Two/Too

Joana Chicau

<– Tango for Us Two/Too — > is a live coding performance that merges web-programming with the choreographic language of Tango. The script focus on the dialogical nature of Tango, using Google Translate with fragments of texts from interviews with Tango dancers and practitioners. It invites us to a pas-de-deux performed by the online interface and JavaScript functions which randomise search queries and present a series of (mis)translations. An algorithmic dance sustaining glitches between the techniques and poetics of Tango, each breath a step towards the emergence of a new vocabulary for the moving.


Joana Chicau is a graphic designer, coder, researcher — with a background in dance. In her practice she interweaves web programming languages and environments with choreography. She researches the intersection of the body with the constructed, designed, programmed environment, aiming at widening the ways in which digital sciences is presented and made accessible to the public. She privileges the use of Free-Libre Open Source software, and collaborates with various international practitioners in the fields of art, design and technology  on both commissioned and self-initiated projects. She has been actively participating and organizing events with performances involving multi-location collaborative coding, algorithmic improvisation, discussions on gender equality and activism.