Puckette/Hagan/Bowers

Kerry Hagan

Kerry is a composer and researcher working in both acoustic and computer media. She develops real-time methods for spatialization and stochastic algorithms for musical practice. Her work endeavours to achieve aesthetic and philosophical aims while taking inspiration from mathematical and natural processes. In this way, each work combines art with science and technology from various domains. Her works have been performed in Asia, Australia, Europe and the Americas.
Kerry performs regularly with Miller Puckette as the Higgs whatever, and with John Bowers in the Bowers-Hagan Duo.
As a researcher, Kerry’s interests include real-time algorithmic methods for music composition and sound synthesis, spatialization techniques for 3D sounds and electronic/electroacoustic musicology. Her research has been presented in international conferences around the world.
In 2010, Kerry led a group of practitioners to form the Irish Sound, Science and Technology Association, where she served as President until 2015.
Currently, Kerry is a Lecturer at the University of Limerick in the Digital Media and Arts Research Centre. She is the Principal Investigator for the Spatialization and Auditory Display Environment (SpADE) and President of the International Computer Music Association.


Miller Puckette

Dr. Miller Puckette (Harvard; mathematics) is known as the creator of Max and Pure Data. As an MIT undergraduate he won the 1979 Putnam mathematics competition. He was a researcher at the MIT Media lab from its inception until 1986, then at IRCAM, and is now professor of music at the University of California, San Diego. He has been a visiting professor at Columbia University and the Technical University of Berlin, and has received two honorary degrees and the SEAMUS award.

Kerry Hagan is a composer and researcher working in both acoustic and computer media. She develops real-time methods for spatialization and stochastic algorithms for musical practice. Her work endeavours to achieve aesthetic and philosophical aims while taking inspiration from mathematical and natural processes. In this way, each work combines art with science and technology from various domains. Her works have been performed in Asia, Australia, Europe and North America.


John Bowers

Meta Music Machines [Fluorescent Markov Beat]

Oskoff

MMM [Flourescent Markov Beat] is the first brunch of the MMM series. In a installation/concert format, MMM_FMB with a minimalist and reductionist approach, addresses the rhythmic question and the synesthesia between light and sound.

It consists of an a square array of LED light tubes that turn on and off following a sequence of states generated by a “markov chain model”. This stochastic and “bastard” model is created from the analysis of heterogeneous and diverse folk music rhythms sources. The sound also follows the sequences and it is generated by transduction and amplification of the light and accompanied by digital synthesis.

more info >>
https://noconventions.mobi/noish/hotglue/?MMM_FMB_eng

meta music machines, general
https://noconventions.mobi/noish/hotglue/?MMM_description_en/


Oskoff

Independent artist, researcher and programmer working in the field of algorithmic poetics and the study of generative and complex systems applied to the artistic context in different formats: sound art, installations and performance always under the premises of DIY and DIWO. His artistic practice could be
understood as a “polyhedral” device of knowledge where art, science and technology converge and hybridize from a unorthodox, critical and experimental approach.

His works have been seen and / or heard in different spaces for contemporary art and
international festivals: La Batie Festival in Geneva (Switzerland), International Image Festival
Manizales (Colombia) , Festival Piksel in Bergen (Norway), Radio Museo Reina Sofia in
Madrid, NK-project in Berlin (Germany), Electropiksel in Nantes (France), among others..

I make music and videos with statistics software.

MusikeR

I make cheesy music and with animated videos in statistics software. To do this, I write music composition libraries or extensions for these various softwares. It works just like any other electronic music, but it’s funnier when you use statistics software. I’ll show some examples mostly in R, explain how they work, and recount some things I have learned about humanity through this endeavor.


MusikeR

My favorite activity is sleeping, and after that I enjoy pointless things like scalable astrology, children’s songs, and data-driven music.

Journey to the Planet of nuclear Chewing Gum

Vera Sebert

How can we characterize the cinematic narrative, which is in a netbased environement no longer tied to chronological sequences? How does actual information deform under the manipulating influence of the viewer? The webproject JOURNEY TO THE PLANET OF NUCLEAR CHEWING GUM is formally based on experimental film, poetry texts and interactive netart, arranged in several layers. Digital images of different objects are assembled in the picture’s foreground and overlapping found and newly assorted footage. They can be rearranged randomly by drag and drop. Each movement of an object is linked to one individual sound snippet and a random subtitle. By interacting viewers create a strong varying narrative form which manifests in the space between text, image and film.


Vera Sebert, *1987 (DE), Media Artist
2007- 2015 Fine Arts at University of Fine Arts Braunschweig and Academy of Fine Arts Vienna. 2015 – 2019 Language Arts at University of Applied Arts Vienna. Artistic works in the border areas of visual media, language, film, computer programs: Computer code allows the adaptation of all other media whose properties are imitated, fragmented and reassembled in virtual space. The hybrid exposes the categorical separation between artistic image and text production and creates a space for experiments that explore the mesh of code, image, sound and language in a digital environment. Most recent international exhibitions and screenings: Hamburg International Film Festival (DE), Vector Festival Toronto (CA), House of Electronic Arts Basel (CH), Eclat Festival Stuttgart (DE), Cairotronica (EGY).
2017 Artist in Residency at Künstlerdorf Schöppingen (DE). 2018 Hannsmann-Poethen Grant for Literature (DE), Styria Artist-in-Residency (AT). 2019 Subnet Artist-in-Residence, Salzburg (AT), 2020
https://verasebert.com